#even if i understand her reasons

[sukibenders]

Seeing Marina gush to Penelope about how, in her dreams for the future and her marriage to Colin, she envisions not only Penelope still being in her life but also being happy and side by side with Eloise, her best friend. Just genuinely her viewing them as a pair. It just makes the betrayal she faced hurt so much more.

[bastardlybonkers]

i feel like not enough ppl are factoring in the cultural clash between laios and shuro and the many micro agressions shuro faced while being in their group. literally the name 'shuro' in itself is one

his name is toshiro 😭 lets also not forget that he has his own communication issues, in the opposite way that laios does- thats literally a factor in their argument, that his envy for laios's ability to express himself sincerely manifested as part of his distaste for him.

ig all this to say like, was their fight heart wrenching, especially when reading laios as autistic? absolutely. anybody whos ever been in laios's position knows how much it hurts to realize someone you thought was your friend doesnt actually like having you around, especially when they didnt tell you and you had no way of knowing due to not understanding their cues. but im begging yall to step back and see the nuance of this situation cause im gonna be real a lot of you are kinda just brushing over it acting like everything is toshiros fault and that hes a terrible person when in reality hes an average guy who really, really clashed with laios and it led to a very long misunderstanding due to their supremely opposite methods of communication. even laios and toshiro, after letting everything out in their fight, were able to come to an understanding and start a foundation for an actual friendship built on better communication

ok yknow what Edit: i shouldve made it even more explicit at the end of this post, i hadnt thought i would need to since i started the post with this, but i think a few too many people are missing my point so i just wanna clarify. i shouldnt have said 'really clashed' and left it at that because yeah they did, but it wasnt just their opposite methods of communication, it is also very much that toshiro was experiencing microaggressions via laios. it may have been unintentional on laios's part, but it still happened and wore him down, made it harder for him to communicate on top of both the more subtle social cues that he was raised with and his own communication difficulties. i also want to say that the fandom reaction to toshiro and the complete ignorance of this point is also racist tbh or at the very least ignorant. i understand that the anime did not cover this panel, and neither did the manga, as this was an omake, but im gonna be real with you guys. there are enough context clues within the story to clue you into this. if you didnt pick up on it thats ok, but i think this is a good lesson in picking up subtext in the stories that youre watching and/or reading. kui shouldnt have to explicitly say 'by the way laios was racist to toshiro' for this point to be understood, and at the very least, when the author portrays a character in a sympathetic light (as kui clearly does) it should make you question Why they are doing so and what makes them sympathetic, rather than youre immediate and only reaction to be 'well i hated what this guy did/said so i hate them and they suck'. idk exactly how to finish this, just. idk. question your biases and gut reactions to things you see in media and stories, and think about whether or not theres subtext that youre missing.

[the-odd-shu]

Sky regrets trying to play wingman

A continuation of lab shenanigans.

Masterlist

Next part

Characters: Viktor, Jayce, Reader, Sky

(Pre-Jayce/Viktor/Reader) (POLYCULEEEE!)

Summary: A sketchbook goes missing, Viktor and Jayce feel soft about it and Sky is fighting for her life.

Note; this takes place during season 1, and the reader is gender neutral with they/them pronouns.

Lab Illustrator!Reader has a secret A5 sketchbook they don't use for assignments. It's a small thing, that they keep tucked beneath all of their other paperwork during the day, and take home with them every night.

It is as non-descript as sketchbooks come, with a plain, black cover and pages brimming with hundreds of sketches and stuck in sheets of paper.

But what makes it different from their professional sketchbook, you ask? And why does it need to be a secret?

Well, because it is a notebook solely dedicated to drawings and doodles of their co-workers. And neither of them know that Reader has been drawing them.

There are hundreds of stolen moments stuffed between these pages. Late night coffee breaks, where the pencil lines are thick and dark to accentuate the dimness of the lab against the stark light leaking out of the kitchenette, where backs are turned and coffee mugs steam, whilst eyes fall to half-mast from the sheer weight of the late hour.

There are a dozen or so slower, more carefully done doodles of Jayce sprawled out across the lab couch in various positions. Several cane studies, because Viktor had a habit of leaving it in more and more odd places when he has had a breakthrough, and sheer determination and spite keep him standing unaided before the whiteboard.

There are pages dedicated to Viktor reading. And pages brimming with Jayce's broad shoulders and winning smile.

There is a double page spread of Viktor stood before the chalkboard, cane in one hand, his other tucked under his chin with a piece of chalk tucked between two of his fingers, his lips pursed in thought as he tried to find a solution to the problem before him. The lines of this sketch are soft and gentle, almost dreamlike, as the image was teased out of the page.

The pages directly after it show a heavy handed pen drawing of Jayce bent over his desk, goggles over his eyes, his tongue peeking out from between his lips as he welds pieces of metal together. A single, loose curl of hair having broken free of its slicked back appearance, and is now sprawled cutely down his forehead.

And that's only the beginning.

Neither of them know that Reader draws them. As far as they know, Reader can't even draw people. And Reader wants to keep it that way. Because if EITHER of them found the sketchbook, they just KNOW they would not let them live it down. Jayce would be embarrassed, no doubt asking stupid questions like, 'is my nose really like that from that angle' or 'why didn't you tell me I had soot on my cheek', which, how dare he, you'd spent hours learning how to draw him and picking out imperfections was just an insult to your skills. Whilst Viktor would make fun of your subject choices, and then make it one hundred times harder to sketch him without him getting suspicious and catching on and deliberately moving around MORE to make it seventeen times more difficult.

Out of everyone in the lab, Sky was the only other person remotely artistically inclined. She'd shown an interest in your work one afternoon, and let slip that she liked to draw in her spare time. And although she insisted her work was nothing like your professional illustrations, they were good! And you told her as such.

Unofficially, the pair of you had begun taking your lunches outside in the academy gardens together to chat and draw. She did not look it, but Sky was a mean gossip, and seemed to know everything that was going on in the science department. Such as who in the academy was currently trying to court who, or the latest experiment that blew up (literally) in a freshman's face, or that Councillor Medarda herself dabbled in painting.

The last one certainly caught your attention more than the drama on campus, which of course Sky was more than happy to provide more details for. Apparently, the Councillor's paintings were bold and striking. Depicting scenes from her childhood lands, and figures dressed in traditional Noxian-style garbs.

"Gorgeous, simply gorgeous." Sky said, tone bordering on wistful. "And large too. Councillor Medarda works on such a large scale, that some of her pieces literally command your attention the moment you step into the room. I'm sure you can talk Jayce into getting you a glimpse of some of her works. He and the Councillor have been growing close lately."

You ignored the suggestive hint to her voice, in favour of humming noncommittally and finishing up your lastest sketch of Sky perched on the wall beside you, waving her sandwich around as she talked animatedly. You were so engrossed in your work that you didn't notice she was watching, when you flipped back towards the front of your sketchbook, only for her to choke on her next bite.

“Wait!" She blurted out between sharp coughing. "Is that Viktor!?” And then suddenly your sketchbook was no longer on your lap and the apprentice of the man you were always drawing was flipping through the pages. The pages that HEAVILY featured Viktor's face.

Your cheeks burned, and lunged for the sketchbook out of sheer panic, as Sky began discovering just how MANY sketches of Viktor you've been hoarding and that he's not the ONLY ONE you've been drawing.

"Jayce too I see." She mused, more to herself than you. And then she snorted. "Why are there so many?”

“Because I get bored sometimes, and they're always just there!" You defend yourself guiltily. "It's good anatomy practice.”

Which wasn't technically a lie. The lines never came as easily as they did when you’re sketching your co-workers. So much so, that now, it had almost become instinct to know when your pencil had drawn a line wrong, even before you glanced back to the reference themselves to check. The pair of them were just so effortlessly beautiful in their own ways. It would a a crime for you <i>not</i> to draw them, and focus solely on the things you're SUPPOSED to be illustrating instead.

Sky hummed along, having paused on a page with a rapid, barely recognisable pen sketch of Jayce ducking away with a cackling laugh as a furious Viktor swung his cane at his head. Her fingers idly slid down the sketchy lines, a fondness to her expression.

"Have you shown them these?" Sky asked, "they're really good. All loose and fun. I can practically hear Jayce laughing in this one with how you captured his expression."

“Of course not!" You were quick to deny as your cheeks heated. "Do you know how embarrassing it is to show someone you’ve drawn them? Jayce will pretend to be all impressed but subconsciously begin to pick out all the things I got wrong. Like the shape of his ears. And Viktor will tell me it's 'lovely' without looking up from his textbook."

You shuddered at the very thought, already seeing Viktor's disinterested frown and Jayce's tight grimace in your mind's eye.

Sky frowned, her eyes jumping between your down turned expression and the sketchbook in her hands. “I dunno about that."

“Can I have it back now?” She shook her head and went back to flipping through the pages, the other half of her sandwich forgotten in her lap. “You know, I think Viktor would be flattered if he knew you paid so much attention to him. And Jayce would probably try to steal a couple of these and frame them for his desk.” You scoffed.

Sky's frown deepened. "Why are you having such a hard time believing they might like these?"

“Because in the end it doesn’t matter how they'd react,” you decided sharply, “because they're not going to find out. Are they, Sky?”

“You’ve even drawn Viktor's canes!”

“Sky, focus!” “I am focused- IS THAT A JAYCE HAND STUDY-?!”

"OKAY ENOUGH OF THAT FROM YOU!" You tackled her, and she went down screeching, drawing the attention of several passing students as the pair of you fell cleaningly off of the wall and landed in the flowerbeds below.

Sky did not keep her promise.

After a week or two of waiting to give the impression she'd forgotten about the whole ordeal, she sprung into action.

It was obvious now that she knew just how much Reader paid attention to their co-workers. It seemed like they were constantly sketching the boys throughout the day, a private, fond smile on their stupidly love-struck expression, as their pencil flew across the page, documenting coffee breaks and break throughs, and verbal spats. Now Sky has noticed that they did it, she couldn't stop seeing it, and it is driving her crazy. All three of them are so oblivious, and watching her superiors pine for one another whilst doing nothing to move things forward, was NOT the working environment she'd been hoping for during this internship.

So she took matters into her own hands.

When the hour was late, and the lights were dim, Jayce passed out at his desk for a quick nap, Viktor's attention on his textbooks at the chalkboard, and Reader in the kitchen cracking open a can of energy, Sky sidled over to the latter's desk. Her eyes immediately clocked the little, black sketchbook, easily overlooked amongst the other papers and opened notebooks with half complete drawings scrawled all over the place. It was a testament to how much they trusted each other in the lab, that no one questioned why she was lingering so close to a desk that was not her own.

It almost made it too easy for her to simply pluck the sketchbook out of the pile, add it to her pile of library books already balanced in one hand, all before loudly calling "good night" to the room and leaving.

Sky planned to be the first person in the next morning to plant the sketchbook, but the lab doors were unlocked when she turned up, and all three of her superiors were already in the room, looking in various states of exhaustion. Did they even go home last night?

Not to mention, half of the lab looked like a hoard of dogs had come tearing through. Come to think of it, Reader's desk was especially messy, with papers strewn everywhere and the drawers hanging on just barely- oh fuck! They had already noticed, hadn't they?

"Ah Sky, good morning." Viktor acknowledged her from where he was calmly sorting through a stack of books. Picking one up, and shaking it out before placing it onto a second stack and picking up the next. "Right on time." "Good morning," Sky greeted calmly, "what's going on here?" She motioned to the war zone that was the lab. To Jayce balanced precariously on a chair, checking a high book shelf, and the frantic shuffling sounds of Reader under their desk. They were out of view, but somehow, Sky could just envision the frenzy in their expression from the sound of their searching alone.

"Ah, well, Y/n appears to have misplaced a rather important sketchbook."

There was a yelp as a skull collided with the underside of a desk, before Reader's head popped up over the edge. "Sky! I can't find it!"

"Oh no." Sky replied, trying to ignore the burning weight of the 'it' in question, currently hiding in her backpack. "Where did you see it last?"

"They insisted it was on their desk." Jayce interjected, hopping down from his chair with a shake of his head.

"But I'm assuming it's grown legs," Sky joked, "judging by that picked over, barely standing, mess of a desk."

"This isn't funny Sky."

"No, you're right." She put down her backpack and began to help in the search. After all, not doing so would immediately out her as guilty, and she'd already come this far, why stop now. "Come on, it can't have gone far."

Of course, Viktor discovered it amongst his books and papers a couple of days later.

It was during one of those rare hours in the lab when he was alone. The hour was late, but the curtains were not yet drawn despite the darkening sky.

He frowned when his fingers brushed the unfamiliar notebook, tucked behind a stack of textbooks and scrunched up balls of notes. Pulling it out of its hiding place, his brows furrowed as his eyes tracked the state it was in. How the edges of the hardback covers were creased from numerous journeys in bags, whilst pencils marks and scuffs from countless hours of being opened and used, marred the covers.

At first, he assumed it was one of Jayce’s notebook. The material was expensive enough. Definitely of high quality. The paper itself was thick when he rubbed his finger along a page. But when he opened it, he quickly realised the pages are not lined, and were once blank before they had been filled in with hundreds of drawings.

The first few pages were illustrations of everything under the sun. Still life drawings. Animals. People. Silhouettes. Isolated body parts with detailed annotations encircling them, such as the names of muscles and tiny corrective comments like ‘fingers too long’ or ‘that muscle doesn’t stretch that far’. 

Then he turned a page, and was met with himself. And then Jayce. And then more and more sketches of himself and Jayce. Sometimes together and interacting. Sometimes just existing.

The drawings were skilfully done, as all of Reader's illustrations tended to be. A little rough in the beginning, from rushed pen strokes. But then the artist seemed to understand something. A break through of sorts, and he recognised himself more and more. The sketches held his likeness. From the way he stood, to the slouch of him sitting at his desk, to the way his hand held something as simple as a stick of chalk.

They were always sketches from behind or a side profile. Never head on. And any that did depict him as facing the artist, were drawn when his attention was elsewhere; focused down at a textbook, or fixing something on the table. 

It was flattering really. He looked good in the drawings. Confident, with an authoritative aura. Seemingly engrossed in every task he sat down to complete.

And Jayce, Jayce looks good in his drawings too. His sunny personality shining through in drawings where he was animatedly talking or debating with sketched Viktor. There seems to be a whole double page spread trying to figure out the shape of his slicked back hair, and then even more drawings of the gel softening throughout the day, causing strands to fall down around his ears and frame his eyes.

But what really catches Viktor's attention was the way the artist had caught their interactions. The way they have depicted Jayce's softened eyes when looking at Viktor when his attention was elsewhere. The way they caught Viktor's private little smile when Jayce got lost in a muttering spell and stopped including Viktor in the debate. It left him feeling a little raw in truth, like this person had seen something no one else had taken the time to notice before.

No wonder Reader had been so adamant about finding this sketchbook. This must have been hours upon hours of careful work.

Carefully, Viktor closed the sketchbook and sat back in his chair. It felt heavy in his hands, and he almost didn't want to put it down.

The door to the lab swung open then, and Jayce called out a greeting.

"What you got there V?"

And of course, Viktor was contractually obligated to show him. It would simply be criminal if he didn't show his partner just how well their resident illustrator managed to capture his winning smile. A much more accurate depiction of it, compared to the 'man of progress' merchandise the academy sold nowadays.

The sketchbook continued to go unfound.

Reader was growing more and more distraught.

The guilt gnawed at Sky and she confessed.

All hell broke loose.

An hour later, Skye came SPRINTING into the lab, the double doors CRASHING into the walls in her haste to get into the room.

Both Viktor and Jayce jumped in their seats in the kitchenette. Viktor barely managing to keep from spilling his sweetmilk everywhere. And Jayce almost THREW the little black sketchbook across the room, where he had been admiring its pages.

“Woah there, where’s the fire?” Jayce tried to joke, but Sky looked GENUINELY scared. 

“Sorry! Sorry! I left something in here, and the owner is NOT happy with me.” Sky scrambled to explain, as she charged towards Viktor’s desk and began pulling apart stacks of paperwork. Sweat beading on her brow.

“Hey, calm down. What is it? Where did you see it last?” “It was a sketchbook. Um, uh, black, hard cover, it was practically bulging with how many pages it had stuck in it.” Sky explained, "I could've sworn I left it on Viktor's desk." Viktor’s brows jump up in realisation. His eyes dart over to the sketchbook in Jayce's hands, before leaping up to meet the man's wide, knowing eyes.

“I take it that Y/n found out you took it then.” Viktor spoke up. Sky winced. “I may have let it slip-” her voice began to backpedal, before the distant stomp of approaching footsteps made her pale. The gait the recognisable, the tempo just a touch faster than its normal pace. “DON’T THINK HIDING BEHIND VIKTOR OR JAYCE WILL SAVE YOU NOW!” A booming voice hollered from down the hallway. 

Sky became frantic again. She redoubled her efforts.

Jayce very slowly lowered the sketchbook down to his lap, where the table would conceal it from view if anyone peered into the kitchenette. And Viktor just sighed as he got comfortable.

Heavy footsteps approached the laboratory door, which was then promptly kicked open, so fast that the door smacked into the opposite wall for the second time today. Y/n, brandishing a broom of all things, visibly seethed in the doorway. 

“Do you know how much <i>work</i> has gone into that sketchbook?” They demanded, more furious than Viktor had ever seen them before. “How many hours I’ve spent amongst those pages.” Sky looks appropriately guilty. “I know! And I’m so sorry I lost it, I really thought I was doing you a favour!”

Reader’s lip curls up into a furious snarl, eyes narrowing. “And I thought I told you to leave it alone!” They snarled.

“But they’re just so good. I seriously don’t think you should be hiding your talent. What if the right person managed to find it, like Councillor Medarda, imagine the connections-” “And how, pray tell, is Councillor Medarda, supposed to come across my sketchbook in the laboratory of all places.” Skye’s voice lowers. “Well, she does stop by to see Jayce often enough.”

Reader sighed heavily. "Side-stepping that poor excuse, because we both know you were just trying to embarrass me-" "I was not! They're good drawings!"

“Where is it Skye? For the final time.”

They stepped menacingly into the room then, broom clutched tightly in both hands, only to pause when a single sheet of paper slipped out of their pocket and fluttered to the ground. The action clearly held significance, because Sky winced.

Meanwhile, Reader took a deep, steadying breath, before slowly, calmly leaning down to pluck the paper off of the floor. It was only for a second, but Viktor could have sworn he saw yet ANOTHER sketch of him and Jayce, which HOW? They'd been with the pair of them in the lab ALL DAY!

“Now look at me, I’m shedding paper left and right without my sketchbook to keep all my thoughts ORGANISED!” “I’m sorry! I’ll buy you a new one.”

A groan. “Skye, that is NOT the point-!”

“Okay, okay! Time out! Let us all take a breath.” Viktor interjected to which both apprentice and Illustrator startled. 

Reader visibly seethed in place, whilst Sky just winced and ducked her head.

It was the former who spoke up first. “Sorry for the interruption.” They said sharply, eyes cutting over to Viktor and Jayce. To which Viktor just inclined his head, whilst Jayce very poorly concealed his guilty wince. Reader was too preoccupied with Sky however to notice as they turned back to her. “May we continue this debate outside? Preferably away from the workshops?” Skye seemed to shrink in on herself more. Eyes darting over to Viktor, then jumping up to Jayce. 

“Sky!”

“Only if you promise to stop yelling.” She demanded. 

Reader breathed out forcefully through their nostrils. Expression thinning out, shoulders easing, although the tightness to their jaw remained stubbornly present. “Fine.”

"Leave the broom!" Viktor called after them, to which Reader audibly groaned but let the broom in the lab before stepping out into the hall with Sky. The door clicked shut behind them. 

Jayce and Viktor shared a look and held their breaths. Waiting. Listening. The conversation that inevitably started up once the door closes was fast paced, but in the promised quieter tone. 

"I'm just going to-" Jayce began to say before motioning to the desks out in the main lab. Viktor shrugged, and allowed his partner to stand, sketchbook in hand, only for both of them to freeze when a loose slip of paper fell out.

"Oh no." Jayce said aloud as Viktor quickly pinned the sheet to the floor with the toe of his shoe, before it could drift away. "This is going to be adorable, isn't it?"

Viktor did not reply, as he stooping to pick it up. He turned it over, and he and Jayce collectively sighed as they discovered yet another sketch of the pair of them.

They're stood in front of the chalkboard, which seemed to be Reader's favourite place to draw them without being discovered. And it was clear from the way the pair were facing each other that they were deep in one of their debates. But what really caught the pair's attention, was the way that their drawn selves were looking at one another.

Viktor's with a small, knowing smile and a visible twinkle in his eye - which should have been an impossible thing to capture with merely a pencil. And Jayce's who was staring down at Viktor with an intensity in his eye and a playful lift of his eyebrows that spoke of challenge. They looked happy together. Feeding off one another's energy.

And it was startling that an outside perspective had managed to capture such a moment without either of them noticing.

"We don't get that absorbed in our debates, do we?" Jayce asked tightly, a soft look in his eye now as he gazed down at the sketch with reverence.

Viktor did not bother to deny it, because they both knew that they did. Here was a sketchbook stuffed with the evidence right before them.

Jayce tucked the sketch back between the pages, his expression complicated and yet oh so fond for someone who was no longer in the room with them.

Jayce and Viktor put the sketchbook back on Reader's desk, who later comes back in, visibly more subdued, and Sky nowhere in sight.

Viktor cracks a joke about them having stuffed her in a supply closet somewhere.

To which they reassure him that, "no, she had a meeting," and he would still have an apprentice turning up to work tomorrow.

Jayce looks up from his work, as does Viktor, when they make a beeline for their desk. In time to watch Reader stiffen when they see the little, black sketchbook placed neatly on top of their larger, official lab sketchbook. Then they lunge forward, snatching it up and flipping through the pages, shoulders loosening when all seems to be in order.

"You found it!"

"Viktor found it." Jauce interjected.

To which Viktor just preens and makes another joke about Sky thinking twice about getting between Reader and their belongings. He also throws in a compliment on the penmanship, just to see how Reader reacts.

To both of their surprises, Reader locks up at the compliment. “Please tell me you didn’t look though it.”

“I liked them." He said truthfully, "you certainly captured my likeness.” They groan and drop eye contact. 

“Please don’t joke about it.” They plead, “it was just anatomy practice. But I completely understand if it makes you uncomfortable-”

“Uncomfortable?" Viktor parrots back, shooting Jayce a look. "Why would it make us uncomfortable?" "You might feel watched?" Reader offers.

Jayce shrugs. Viktor waves off their concern.

Jayce, "can we put some up on the pin board?" "No. None of these are remotely good enough to be hung up on display!" Reader is quick to deny.

By the end of the day, there are three new papers pinned to the pin board above Jayce's desk. One drawn by each of them in the lab. A chicken scratch drawing of Jayce, courtesy of Viktor. A carefully, but wonkily drawn Reader, courtesy of Jayce. And a recognisable and remarkably good drawing of Viktor done by Reader.

(Yes, they had a drawing competition and sat in a circle around someone's desk, simultaneously posing for and drawing each other. The boys had to do some major convincing so that Reader didn't assume they were being made fun of. And they all ended up having a great time).

Next part

[trauma-bot]

sin eater

[aingeal98]

More Jason and Cass thoughts (sorry but also not sorry) but if I was magically given full control over DC and could write what I'd want obviously I'd make Cass Batman but I've been thinking of what sort of reaction and role Jason would have in response. I think I'd write his version of "Congrats on the new job!" as a test, involving the Joker and civilians and gangs and Red Hood and a ton of explosives. Bruce failed me, and now he's given up. You're his successor, let's see how you handle this dilemma that freaked him out so badly he threw a batarang into my throat rather than let me avenge my own death in front of him.

So obviously Cass will overcome the traps and the puzzles. That's the fun part to show how competent both of them are and sprinkle in little character moments as we go. But then we reach the emotional crux of the matter, probably laid out as some sort of saw trap because it's Jason. Here I am, a victim of murder. You say nobody dies tonight but I did, and I want the man who did it dead. Not only did Batman fail to avenge me but he failed to stop the Joker from going on to create even more victims. What right do you have to stop me from getting justice for myself? What right does this man have to life after what he's taken from me and from countless others? I'm not trying to kill a random stranger, I'm specifically demanding justice for my own death that I never got while I was gone.

There are two ways this could go. The straightforward route if I knew my time on this run was limited would probably be a pyrrhic victory like the ones Cass's og series was so fond of. Just like Bruce in utrh, she acts on instinct and saves the Joker (and Jason this time) . A win technically, but she fails the test. Jason is once again vindicated but with nothing to show for it. The story ends with Cass sending the Joker back to jail and going back to the batcave, where the old Robin costume looms judgementally, highlighting her failure. It would be the most fitting end given their character molds, all tragedy and conviction and unstoppable force meets immovable object etc.

However... I think the option I prefer would be a little different. Cass levelling with Jason, a killer talking to a murder victim. She has no right to stop Jason from getting justice, she has no love for the Joker but she knows any death she allows to happen like this would devastate her, just like that death row inmate long ago she tried to break out but ended up letting go once the family of the victim talked to her and demanded justice. I think... In this specific situation, she'd just be honest. Morally she has no right sure. Personally she just really really doesn't want anyone to die. Give her one chance, please. Let her try it her way. Not demanding, not lecturing or insisting, just... Please. Don't do this. Let me try another way.

And then what? Jason asks.

In the end a deal is struck. Cass will take the Joker and lock him up, ensuring he never harms anyone again while also trying to rehabilitate him. But the second she fails and he gets free, Jason kills him and she won't stand in his way. It's the kind of deal that leaves both of them mildly disgusted and dissatisfied with themselves, neither of them naturally creatures of compromise when it comes to this specific topic. But Cass is willing to do anything to avoid death and Jason did not expect the new Bat to be so... Flexible? Kind of? Of course maybe she won't actually hold up her end of the deal and when the Joker gets loose she'll try and stop Jason from killing him and he'll get his miserable vindication, but right now this is something strange and new and he's mildly confused and curious about where it will go. He doesn't believe in her ability to contain the Joker forever but he's willing to let her try because her reaction to that future failure interests him. She's given him a sword of damocles to hang above her head and he didn't ask for it or expect it. It's the type of power he never thought the Bat would just... Hand to him.

The conflict ends with neither of them fully winning or losing. They both don't really know what to feel about this.

The thing is, the second Cass let's Jason kill the Joker she's hanging up the mantle. She's staking the Bat on this, because it's always go big or go home with her when it comes to saving others, even someone like the Joker. In this magical universe where I have unlimited power, Cass would lock the Joker in a secret bunker and have Leslie Thompkins talk to him daily, mostly because I think her pacifism speeches and debates in the comics would make a fun contrast to the Joker's evil sadism. (But what about his rights? Doesn't he deserve a trial and to be held in a regular prison? I'm going to be honest I think Cass would be very comfortable bending the rules on this specific situation. Morally questionable but I'd have fun with it. She's going to let Leslie treat Joker like her personal pet project to save his soul because yes she wants him to change but also she's got a city to save every night so go crazy Leslie, have fun.)

And the Batman series would continue with Cass as the lead, new challenges and new antagonists and every twenty issues or so for the first hundred we'll cut back to the Joker briefly if his chats with Leslie can help highlight some thematic element of the current arc. But bit by bit he'd slowly fade away onto oblivion, maybe getting referenced every hundred issues or so until eventually no one remembers or cares about him because there's so much else going on. Meanwhile Jason's got a good thing going as Red Hood, primarily based in Park Row and a tentative ally on the occasion when their vigilante work aligns. Unlike Joker he's a much more frequent character in the comics, and after say 10 years (this is my magical fantasy universe Cass's batman run is going to last for a very long time alright) when people think of DC characters they think of Red Hood long before they think of the Joker.

Is any of this realistic? Right now of course not. It's why I'd go with the pyrrhic victory if I actually got the chance, because it would be the best way to tell the story in the larger context of the Bat narrative. But it's my fantasy DC editor and writer daydream and I'm going to dream big. They're never going to be normal happy siblings, their personal demons will never fully let them be free and the looming possibility of losing everything they currently have narrative wise if Bruce comes back as Batman will always be there. But it's maybe the closest to peace they'll ever get. Unsatisfying and tame compromise that probably violates several laws and ethical codes but whatever. Cass has never read the Geneva convention and Jason's not going to shed tears over the Joker. Let him die relevancy wise if not physically.

[susielesbianism]

Sometimes I think back on when chapter 2 came out and there were people saying that Susie’s turnaround from ch1 to how she is in ch2 was too sudden and jarring. Hell, even back in ch1 people were saying that Susie’s character development happened too quickly.

then Spamton sweepstakes happened and so did the newest girl post, which I really think was partially meant to serve as a reminder to people entering the fandom with ch2 that this is how she used to be.

Not to mention the aftermath of the Lancer fight, with how quickly she went from seemingly wanting to tear Lancers fucking throat out to immediately wanting to reconcile with him and affirming their friendship. (which. the whole thing WAS a huge misunderstanding. but still)

besties I think this is just how she is. She’s a good person and great friend but she’s also a little bit emotionally unstable! And I love her for that!!

[demaparbat-hp]

In your Spitfire AU, since Zuko is looking after Lu Ten II, what happened to Ursa?

Zuko is slightly older in the Spitfire AU. He was banished at fifteen, his head a little clearer and denial a little weaker than in canon. After his first look through the Air Temples, Zuko decides that if he can't find a myth, he might as well search for the next best thing.

Finding Ursa isn't easy, but in time he makes it to a secluded house in a near-forgotten part of the world. His mom is there, older and stronger and alive.

But she isn't alone.

And Zuko, as it turns out, didn't keep the best company during his search.

When Ursa is discovered and her secrets are laid bare for assassins (for Ozai) to find, she begs Zuko to take his little brother and run. She'll do anything it takes to protect her children, even if that means leaving them behind to keep a target off their back. Ursa diverts attention from them and allows Lu Ten's ancestry to be kept a secret. She orders Zuko not to follow her again, and disappears.

Zuko is left with a little three-year-old brother to raise and a mother he cannot hold onto.

[sherrymagic]

Is there anything you want to talk to me about? You already knew about me and Lady Pin, didn't you? About what?

Becky Armstrong as PRINCESS ANIN and Ohm Kanin as PRINCE ANAN THE LOYAL PIN | EP. 10

[mohntilyet]

continued rook-lucanis sketches from the last week or so <3

[scholarhect]

lowkey i think people overpathologize cam’s whole thing, i think generally she’s reacting rationally, or at least about as well as you can ask from a person, to some really difficult stuff. like excuse her for acting weird when she was processing the very young death of the person she thought she was going to spend her life with, in an unfamiliar and unstable environment far from home, where her entire support system was a hypocritical dying woman she’d never meshed very well with and coronabeth tridentarius

[noperopesaredope]

Me: Ooooo, I wonder what this "Mouthwashing" thing is that everyone's been obsessed with lately. I should check some of it out.

Me, 30 minutes later: I would kill myself for you, Anya.

[dykedvonte]

Honestly a sorry from Curly would mean nothing to Anya.

I’m not saying she wouldn’t want to hear it, it’s a hollow vindication. She told him and he couldn’t hear her. He saw it and he couldn’t understand it. They both experienced it and he should apologize that it took that for him to get it. She already knows he’s sorry but what’s the point if neither of them can do anything about it? It’s earnest but at the same time what she wants an apology for is what Curlu can’t apologize for.

He can’t be sorry for what happened to her even if he is. Even if he carries that guilt with him until the day he dies it’s not all his to bare. The most heinous parts aren’t his weight even if he tries to balance it. A part of her bitterness is the fact he can’t be sorry for it all. She can’t just direct it all towards him even if she wants to. She was failed in so many ways by all of them. It hurts with him the most cause he had the power but they all did nothing in the grand scheme of things.

The one person who should apologize would never and could never, it’s not something you can be sorry for. She wants an apology, she needs one but what would it fix?

[giddlygoat]

TRADITIONAL TOAD GARB PEACH LETS GOOOOOOOO

[navree]

"rhaenys could have ended the war by dracarysing all the greens right there" yes because a distant relation to the throne deciding to barbecue an anointed and publicly positively hailed king and his entire family who is well loved within the city and in multiple other parts of the country for the sake of the succession of a far-away princess no one was ever on board with who hasn't been seen by the populace in literal years, her psycho husband, her three obvious bastards, and two toddlers from the psycho husband would go over super well with westeros and especially in king's landing where scores of the still-cheering population were killed for no reason by that same dragon who would do the barbecuing, because when targaryens act unilaterally without thinking of how the people would react there's never any problem, which is why the storming of the dragonpit and robert's rebellion were actually just collective delusions dreamed up by readers who hate rhaenyra and not key parts of the story and house targaryen's history that directly contributed to their demise and are intrinsic to the plot

truly team black stans are made up of only the most genius and media literate amongst us

[zonezyo]

glinda and fiyero, both being for all intents and purposes on the same footing socially, are two sides of the same coin on what happens to those who come from privilege if they choose to forsake their standing in the face of adversity. they come from the same place, they have essentially the same thing to lose, but they end UP losing insanely different thing based on the way they choose to live their lives. however, glinda and fiyero have the same thing to lose, but they do NOT have the same thing to gain.*

fiyero is of course actually very smart, no matter how carefree he plays himself, but before elphaba, before the catalyst, he WAS truly content with dancing through life-- he probably would have skated through on his looks and his charm, living a blessed but ultimately unfulfilling, unhappy life, with no real direction. but when given a cause he wakes up and begins to actually want. he wants change, wants elphaba, wants something different than what he's had. though it comes at obvious sacrifice for him, it is natural for him to follow elphaba. there is no personal risk of straying off his path because there is no real path ahead of him anyway. yes, he's captain of the guard, he's engaged to glinda-- but his heart is not truly with them. he has already mentally strayed towards elphaba.

glinda, though, is not like fiyero. she can play herself as charming as she wants to match him and everyone that expects anything from her, but she's at shiz to learn sorcery-- from the moment she's introduced we know that she's dead set on that goal. she WANTS something. she, like elphaba, marvels at the emerald city, imagining her life there one day. so when faced with this fatal decision between choosing what might be good but what is risky, she panics-- it's right there in the lyric!! to grovel in submission to feed her own ambition!! though part of it is certainly her backing into what is safe, she can't let go of her own dream for what would effectively kill every future she ever dreamed of. glinda is WILLING to forfeit her SOCIAL status for elphaba-- it's just that she's smart enough to understand that this is not simply forfeiting social status. this is forfeiting any and all power she ever could have, gain, or use to her/elphaba's advantage.

however: glinda's choice may seem entirely based in self preservation but she's also just as much trying to preserve elphaba's, maybe not safety, but status, because that's what she thinks of as safety. though it's unfair, glinda is right-- maybe not in this instance, but at least in the broad strokes of the song. elphaba HAS hurt her cause forever, she IS having delusions of grandeur, and this is going to make it that much harder for elphaba to ever truly make change regarding animals in oz because as a villain all she can do is drive people away (though ofc this doesn't mean she shouldn't have done what she did). glinda is desperately bargaining-- she knows elphaba cares about the animals, but she doesn't truly understand why, so there is nothing she could have said or done to level with elphaba. glinda ultimately still thinks that change is manageable under the people responsible for cruelty. she's misguided, unaware of the weight of what's happening. it's why she calls it ELPHABA'S cause, not the animals' cause, because she's not really concerned with the greater good at the moment, she's focused on saving her and her best friend. she's smart enough to understand power play, but not aware enough to understand what all that power means, really, at least not in the moment of act 1.

we can speculate what the "good" choice would have been for glinda but the real truth of the show is that the choice she made was the only one she was ever going to, though it might not be just or right or the one she should have.

[silusvesuius]

nnnnnnnnnnnnno maa'am